WOOOOOOOOOOOOOOOOOOOAAAAH, this is good. Aylen returns to his wheelhouse by injecting some big dubstep bass wobbles beneath the high-octane Zedd original. Since he’s been messing around with trap in the past month, I feel Aylen has just been lacking. His trap songs, in my opinion, tend to get repetitive and don’t hold well to many listens, and it really upset me because Aylen’s style has always been balancing a walloping bass line with progressive elements. Consider this track a return to form. Grab the download below and rock on.